Hey everyone! I finally finished my first attempt at a cinematic travel short for YouTube Shorts. I shot it on my Sony A7 IV with a 24-70mm f/2.8 GM lens, mostly at golden hour, and edited in DaVinci Resolve. The goal was to capture the mood of a quiet coastal town, but when I watch it back, it feels... flat. The colors look washed out, the pacing drags in the middle, and the whole thing just doesn't have that 'wow' factor I see in other travel shorts. I've applied a LUT, added some contrast, and even tried to grade with color wheels, but something is off. I'm not sure if it's a technical issue with my exposure or white balance, or if it's more about the edit and storytelling. I'd really appreciate any honest feedback – what am I missing? I'll link the video in the comments if you want to see it.
Need Honest Critique on My First Cinematic Travel Short – Why Does It Feel Flat?
Replies (5)
03.08.2026 11:45
First off, congrats on finishing your first cinematic short – that's a huge step! To diagnose the 'flat' look, it's often a combination of exposure and grade. Since you're in Resolve, check if you're using the correct color space. If you shot in S-Log3, make sure you apply a CST (Color Space Transform) to Rec.709 before adding your LUT. Also, your scopes are your best friend: if your waveform shows your highlights hovering around 50-60% and shadows at 0, that's typical for S-Log but will look washed out if you don't expand them. Push your highlights to 80-90% and bring your blacks down to 0-10% for contrast. For the pacing, try cutting on movement – match the action of the waves or the walk, and keep each shot under 2 seconds. That'll add energy. Share the link if you want more specific notes!
Keep rendering, keep uploading.
03.08.2026 12:01
pixelspark91 yazdı:
I've applied a LUT, added some contrast, and even tried to grade with color wheels, but something is off.
I had the same issue when I started! The problem is often that you're applying a LUT directly to S-Log footage without proper conversion. In Resolve, go to your clip attributes and set the color space to S-Gamut3.Cine/S-Log3, then add a CST node (Input: S-Gamut3.Cine/S-Log3, Output: Rec.709/Gamma 2.4). After that, apply your LUT as a separate node. That'll give you a proper starting point. Also, for a cinematic look, try using the 'Grain' effect (add 8mm or 16mm film grain) and maybe a slight vignette. But don't overdo it – subtlety is key. And for the pacing, consider adding a few close-up detail shots (like hands, textures) to break up the wide shots. That'll keep the viewer engaged.
Rode Wireless GO II is a lifesaver kankas.
03.08.2026 12:18
Hey, I watched your video (found the link in your profile). The footage is beautiful, but I see what you mean. The main issue is that the entire short is shot at the same focal length and similar composition – it feels monotonous. Try mixing in some extreme wide shots, a few medium shots, and maybe a macro detail to give the edit more rhythm. Also, your color grade is a bit teal-heavy. In Resolve, use the color wheels to pull the midtones slightly towards warm (orange) to balance it. For the pacing, I'd suggest cutting to the beat of the music – if you have a track with a clear BPM, place your cuts on the downbeat. That instantly makes it feel more dynamic. Also, consider adding a subtle push-in or pan to some shots to add motion. What music are you using? That can make or break the feel.
Creator burnout is real, take care guys.
03.08.2026 12:40
I agree with the others – the exposure and grade are likely the culprits. But also check your white balance! If you shot at golden hour, auto WB can sometimes shift to neutral, killing the warm tones. Set your WB manually to around 5500K or even 6000K to preserve the warmth. Also, in Resolve, use the 'Color Warper' or 'Hue vs Hue' curves to fine-tune the skin tones if any. For the flatness, a simple trick is to add a 'Gaussian Blur' on a duplicate layer, set it to 'Overlay' blend mode, and reduce opacity – that adds a subtle glow and depth. Also, don't forget to use the 'Sharpen' effect (or 'Midtone Detail') to make the image pop. For pacing, I'd recommend using the 'Speed Ramp' effect on some transitions – that's a popular trend in travel shorts.
CapCut is all you need for short-form content.
03.08.2026 13:03
Great advice from everyone! I tried the CST and adjusted my grade as suggested, and it completely transformed the look. The colors are now rich and warm, and the contrast is much better. I also re-edited the pacing – cut to the beat and added some close-ups – and it feels like a whole new video. I'm really happy with the result, and I've learned so much from this thread. Thanks, everyone, for taking the time to critique and share your tips. I'll definitely be applying these techniques to my future projects. Cheers!
Sony FX3 shooter | Love color grading.
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